Editorial

With the new Pokémon: Detective Pikachu trailer being released and the recent announcement of the new games, Pokémon Sword, and Pokémon Shield, Pokémon has lately been the most talked topic among many people.

Through the Dragon’s Eye is one of those edutainment serials schools would put on to shut kids up, whilst the medium itself would attempt to deliver educational supplements to children through a safe and accessible kid’s fantasy world. They were harmless, ineffective, and a little boring. Upon revisiting the show, I expected a paint by numbers fantasy adventure where the children have to solve grammar-related riddles. What I got was a tale of apocalypse.

In this play directed by Adrian Tang, the word that comes best to mind is uncomfortable. Whether it it’s the strange age gap between the protagonist and her husband (that had every woman in the audience visibly cringing when they touched each other) or the awkward pauses in the action, the play does well to encapsulate the entrapping awfulness of the 19th century for women.

With A Doll’s House coming to the Progress Theatre as soon as the 11th of March, I sat down with the Director and Producer, Adrian Tang, to ask him more about what we can expect from this play.

The stress of university life, particularly if it’s, say, your final year, can affect people in many different ways. For me, it makes me want to revisit the things that I enjoyed as a child, perhaps as a poor attempt to relive the days when I wasn’t even sure what a dissertation was, much less what it involved. It was this kind of thinking, childish in itself to be frank, that made me revisit an old favourite recently: High School Musical.

Music in the lives of Filipinos is very important, music is sufficient to eliminate boredom and liven up any day or occasion.

Steven Claydon has exhibited his sculptures everywhere, from the Tate Modern and Art Basel to a tiny shed in the Swiss Alps, but the latest venue for his work is a little closer to home: The Museum of English Rural Life (The MERL). It seems like an unusual choice for the high profile, London-based sculptor, but it was suggested by Reading International, and Claydon explained: “With my work which deals with the nature of the thing, the alterity of the thing and the migration and transformation of things it seemed like the right place to be.”

As an Algerian it is possible that I may be somewhat biased in telling you to visit Algeria, but hear me out, because it really is the hidden gem you’ve been looking for.